Jiangtao (Harry) Gu is an art and cultural historian and his research sits at the intersection of Chinese visual culture and British imperialism. He is a fifth-year PhD candidate in the Graduate Program in Visual and Cultural Studies at the University of Rochester where he also holds an Andrew W. Mellon Fellowship in the Digital Humanities. His dissertation, entitled China in Prospects: Photographs from Empire to Nation State, 1856-1912, probes the early history of photography in China, and examines the critical role landscape photographs played in the formation of the Chinese nation-state at the turn of the twentieth century. As a Digital Humanities scholar, he co-founded the Global DH Working Group, sponsored by the Central New York Humanities Corridor by an award from the Andrew W. Mellon Foundation. By interjecting the “global” as a critical tool, the working group aims to disrupt and decolonize the Euro-American centric terrains of DH scholarship. His omeka-based digital project Photographing the Qing: John Thomson’s Two Illustrated Books of China, 1872-1879 maps and reconstructs the route Scottish photographer and geographer John Thomson (1837-1921) took in China in the aftermath of the Second Opium War (1856-1860). He has received multiple awards and grants including a fellowship to attend the Flaherty Seminar, a Dissertation Proposal and Development Fellowship from the Social Science Research Council, a best student paper prize from the Association for Asian Studies, and research fundings from the Susan B. Anthony Institute for Gender and Women’s Studies, Chinese University of Hong Kong, as well as Fisher Center for the Study of Men and Women. He also frequently publishes on topics of false nationalism and false internationalism in contemporary China, and their constructions through visual culture. His works have appeared in academic journals such as Trans-Asia Photography Review and the Journal of Contemporary Chinese Art.